The dissertation delves into the cultural activity of Teatro Diogo Bernardes in Ponte de Lima during the first half of the 20th century. It aims to understand the theater’s history, evolution, and impact on the municipality. The study explores the construction of the theater, its purpose, and the types of cultural events it hosted, such as theater plays, concerts, and Carnival balls. It also examines the transition from silent to sound films and the introduction of color films at the theater, highlighting its significant role in the cultural life of Ponte de Lima.
Through an analysis of sources from the local press and interviews with key figures like Dr. Miguel Franco and former directors, the research sheds light on the theater’s cultural significance and its connection to the town’s cultural agenda. The study is divided into four chapters, each focusing on different aspects of the theater’s cultural activity and historical context. It also acknowledges the contributions of individuals like Sr. Amândio Vieira, whose dedication and passion for Teatro Diogo Bernardes have been a source of inspiration.
Overall, the dissertation provides a comprehensive examination of the cultural heritage of Teatro Diogo Bernardes and its impact on Ponte de Lima. By delving into the theater’s past, the study offers valuable insights into the evolution of cultural events in the municipality and the role of the theater in shaping the cultural landscape of the town.
